Don't hope to get rid of books (Umberto Eco)
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Bergman. Theatre. Cinema.

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Bergman. Theatre. Cinema.
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Irina Rubanova, a recognized classic of Russian film criticism, examines several stories from the creative life of the Swedish director: his first theatrical experiences and first approaches to cinema, Bergman's productions of plays by Shakespeare and Strindberg, and his struggle with the image of the patriarch of the arts at the final stages of his career. Without claiming to cover Bergman's theatrography and filmography, the book is structured as a series of separate essays, which are united by a single methodological basis - the biographical principle, interpreted not as a horizontal of biography, but as a vertical of creative evolution.
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