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ISBNs | 978-5-17-147522-2 |
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The weight | 0,36 kg |
Size | 138 × 212 mm |
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€14,99
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A series of films "Brother", paintings "Cargo 200", "War", "Blind Man's Buff", "Happy Days", "About Freaks and People", "Stoker", "It Doesn't Hurt Me" ... Aleksey Balabanov can rightly be called a cultural domestic director. Danila Bagrov, who has become a new hero of our time for the Russian audience, striving to find the truth in the lanes of post-Soviet Petersburg, is now known abroad, and the shots of hopelessness and horror of the provinces that unfolded in "Cargo 200" are still remembered with a shudder.
Balabanov's films, which pierced the viewer's emotions, received prestigious film awards, but were condemned and condemned for their directness, ambiguity, and sometimes even real blackness. The question arises: how objective can be considered Balabanov's view of the post-Soviet era and events that even decades later look back not without fear? Gennady Starostenko - publicist, writer, member of the Union of Writers of Russia, who knew Alexei Balabanov from his student years - in his book “Alexey Balabanov. Stand up for your brother… Betray your brother…” finds the answer to this question.